Song I Choose You Full Version Of
'I Choose You' was released on Januas the album's second single and was featured in the television shows Life Sentence and Secrets and Lies. The song peaked at number 16 on the US Billboard Adult Contemporary chart, number 14 on the Billboard Adult Top 40 chart, and number 81 on the Billboard Hot 100.Made my own full version of the song ‘I choose’ from the willoughbys with available now yay💚I Choose You Lyrics by Wiz Khalifa from the Show and Prove album - including song video, artist biography, translations and more: I oh, I choose you baby.'I Choose You' is a song by American singer and songwriter Sara Bareilles from her fourth studio album, The Blessed Unrest. The song was written by Bareilles, Jason Blynn and Pete Harper, and produced by Mark Endert, who also produced her hit 'Brave'.
Like we were having an intimate conversation – private, one-on-one. Even if I didn’t always fully understand what he was singing about – Stevens’ songs often border on poetry he employs lyric as deftly as he does melody – I felt like he was speaking to me. His music seemed to speak to the deepest parts of my soul, in a way that, for me at least, no musician had done before. I followed her advice – as I’ve learned is sensible – and was instantly hooked. “Please get into Sufjan Stevens,” read a text message that I received from my best friend Claire a couple of years ago. Moreover, the feeling of comfort is provided by the classic duo of guitar and piano, and the gradual buildup of instrumental music.
And it’s something he has in common with Angelo De Augustine, a fellow songwriter with whom Stevens has made an album. It plummets the depths of the human experience, touching on themes including life, death, love, loss, religion, and spirituality.At the core of his music-making process is a very noble – though he’d probably bristle at that word – pursuit, which he describes as “organising chaos into something that is pure and true and beautiful.” It’s a process that gives him purpose, he says. Whether he’s writing songs about the US States ( Michigan, Illinois), the Chinese zodiac ( Enjoy Your Rabbit), the apocalyptic artwork of schizophrenic artist Royal Robertson ( The Age of Adz), the grief he experienced following the death of his mother ( Carrie & Lowell), or the relationship between Elio and Oliver in Luca Guadagnino’s Call Me By Your Name ( Mystery of Love, Visions of Gideon), his music maintains that soul-piercing quality.
Song I Choose You Full Of Quietly
De Augustine later opened for Stevens, before deciding to write an album together.To do this, they retreated to a cabin in the heart of the Catskills Mountains in upstate New York, owned by another musician friend Bryce David Dessner (from the band the National). Introduced by a mutual friend, another songwriter Denison Witmer, the pair hit it off – they share a similar sense of humour, they say – and became friends. Full of quietly beautiful songs, this record hits like a lullaby, exploring themes of loss and pain in a way that is reminiscent of Stevens himself.
SS: No, we’re actually antithetical to white male narcissism. It’s easy to see why the two get on obviously they share a love for songwriting, and approach the craft in a similar way, but they also look at the world in a similar way – one that is quite beautiful.As their collaborative album A Beginner’s Mind is released, Stevens and De Augustine come together for a conversation for AnOther.Ted Stansfield: What do you two have in common?Sufjan Stevens: We’re both white male narcissists?. Also smart and sensitive, De Augustine is softly spoken, talking with a wisdom and depth that belies his 29 years. The result is a sweet and sincere 14-track album that riffs on movies as diverse as zombie horror Night of the Living Dead and cheerleader rom-com Bring It On Again, each of which they approached without any preconceived notions of what it was trying to say – hence the name of the album, A Beginner’s Mind.Speaking to AnOther, Stevens is as smart and sensitive as you’d expect, but also self-aware, oscillating between being darkly funny and deeply profound – somehow without being pretentious.
I think we share that.SS: I think you’re very thoughtful, very sensitive and intuitive about things about the world and about art. And every syllable, every melody line, every chord is important. We’re both very fastidious and meticulous about every word.
But I think there’s an innate sense of caring and empathy in you, Angelo, and in your work, that is really vital and important. I feel like as I get older, I just get stupider and stupider. Is that right?SS: I hope so. So I think sensitivity.TS: I get the sense that you both have quite rich internal lives, that you’re quite internal people. And I think we both approach our work with the same kind of seriousness, earnestness and attention to detail. I’d like to think that I’m that way too.
And it’s something that I value. It’s an ongoing relationship to the unknown. How has your spirituality evolved in recent times?SS: It’s always evolving. We don’t take ourselves too seriously.TS: Sufjan, I’ve always been interested in the themes of religion and spirituality in your music. We actually connected on each other’s sense of humour.AD: Yeah, we actually have a really similar sense of humour.SS: And we’re both self-deprecating.
There’s a lot of spiritual language in this record.AD: I think that a lot of that relationship for me is just trying to find some kind of truth within myself or the world around me. Constantly changing, and it’s informed by so many different things. That’s really important to me. To just get through the day, I need to meditate and do all kinds of prayer and mindfulness routines. A lot of my beliefs are pretty orthodox Christian beliefs, but I’m also really open to understanding things through the lens of the cosmic parallel reality, because the physical reality we live in is so corrupt, disjointed and oppressive.
And there was just a lot of just beautiful, serendipitous worlds that we were creating, through songwriting. We were in the same space together, and it was really special. Because like Sufjan said, the physical world is pretty dysfunctional and oppressive, so it can be helpful to have a practice where you’re focusing on things that aren’t right in front of you.“A lot of my beliefs are pretty orthodox Christian beliefs, but I’m also really open to understanding things through the lens of the cosmic parallel reality, because the physical reality we live in is so corrupt, disjointed and oppressive” – Sufjan StevensSS: Most of it came out of a month-long residency that Angelo and I had in upstate New York. The fact that it doesn’t exist makes it really interesting, I am really fascinated by that idea.
And then the next day, we would try to integrate some of the ideas in the films into songs. That was really nice.SS: And we watched films every night too. We were having fires and cooking together.AD: Yeah, we had fires every night.
Cinema can be really difficult to appropriate without it feeling or coming off as campy. This music is built on a conventional kind of old school folk music idiom there’s these formulas that we can follow that help us along but it can be really complicated, especially when you’re using source material. And then we also had some songs that were fully written together, like Reach Out.TS: How easy do you both find it to write music?SS: It’s a lot of work and can be incredibly tedious actually. And if I had writer’s block, or was stuck on something, I could pass it on to Angelo and he could take it over.AD: Yeah, and that happened both ways, too. And I had a Pro Tool setup upstairs, and we would share ideas and collaborate.
Sometimes it felt like we were in writing workshops.AD: I brought this big blue binder with me and we took notes. We approached it almost like technicians. So it’s really difficult work.
We did our research.SS: It’s our job. SS: We investigated pretty deeply. But leading up to all that, it’s brainstorming, it’s mood boarding, it’s like Excel spreadsheets, reading the dictionary, RhymeZone.com, and Wikipedia.
That is an addictive thing to do, it can make you feel like you have purpose in the world. I was able to create this world of my own, within these songs. Because when I was pretty young, I started writing songs.
It’s something that I cherish.
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